Niko Lortkipanidze in the artistic space of Impressionism

Abstract

Impressionism is derived from the origin of the painting, originated in France, and gradually penetrated into other palms and covered a variety of art. By the end of the 19th century, there was a tendency to deepening and exaggeration between paintings and graphs. The graphics require the sharpness of the lines, telling the story with precise shots and vivid images, capacitors, as well as access to deep, generalized and conceptual depths. The painting is entirely oriented through color, light, color spots and dots. Both tendencies have come into literature.

Niko Lortkipanidze, the emphasis of the Impressionist, was educated in Austria. In early works, in the impressionism style miniatures and sketches, he tries to express the spiritual world of heroes, moods, answer those questions that constantly bother us from the beginning.

Despite the fact that Niko Lortkipanidze's name is closely related to Impressionism, we still do not consider him as orthodox and monolithic Impressionism writer. The problems about which he writes are very important. He artistically understands the scope of the expression of the impression and shoes the deepest judgment, the knowledge of the hidden meaning of the events, the philosophical basis and the ways of solving the problems. Impressionism is the only method of expression, a style that is meant to reflect the exact impression of the impression of the moment. And with the combination of these points, like Sierra's painting, a big canvas is created. In this text there will be an overwhelming union of events, centuries-long integrity of writings, and the accompanying impressions and emotions that the events are perceived as contrary.

The works that are written by the writer are localized and are painted by this unique system of expression and accompanying emotions. Each picture has its own time-spatial locality.

He uses the language perfectly. It is clear that because He uses the Impressionist method, the main task is to call the reader as co-author. In this context, special attention is paid to a separate language signs as an independent artistic unit. This phenomenon is particularly well reflected in His color concept.

The style of the writer is characteristic of some kind of simplicity. It gives great importance to the hidden meaning of objects and faces, as well as the artistic function of the text.